Eccy86's Journals

Deathstars release a few songs titles for new album

Deathstars have finished the recording in the studio and have now entered ToyTown Studios to start the mixing with Stefan Glaumann.

The first songtitles that'll be revealed are:

Night Electric Night

Chertograd

Blood Stains Blondes

Opium

Venus In Arms

'Twilight' Dolls are Coming!

taken off fearnet.com

'Twilight' Dolls are Coming!

As if the guys in Twilight didnâ�™t already seem effeminate (we kid, Robert Pattinson, because we love), now theyâ�™re going to turn into dolls! Tonner Doll Company has just been granted the license to character figures based on the film. Hereâ�™s what Tonner has to say about it â�œSculpted in the likenesses of the film's lead characters â�“ Edward Cullen (as portrayed by Robert Pattinson) and Bella Swan (as portrayed by Kristen Stewart) â�“ each fully-authorized, highly-collectible TONNER CHARACTER FIGUREâ„¢ (TCF) will give fans the opportunity to possess their very own Edward and Bella for all eternity.â� (Hmmmâ�¦ Thatâ�™s kind of a creepy thing to say.) Each figure will range from 15-17â�. You can check out more of their dolls at Tonnerâ�™s official website.

Twlight track list of the filmâ�™s soundtrack CD

the full tracklist for the new movie Twilight

Twlight track list of the filmâ�™s soundtrack CD

Muse - "Supermassive Black Hole"
Paramore - "Decode"
The Black Ghosts - "Full Moon"
Linkin Park - "Leave Out All the Rest"
MuteMath - "Spotlight" ("Twilight" mix)
Perry Farrell - "Go All the Way (Into the Twilight)"
Collective Soul - "Tremble for My Beloved"
Paramore - "I Caught Myself "
Blue Foundation - "Eyes on Fire"
Rob Pattinson - "Never Think"
Iron & Wine - "Flightless Bird, American Mouth"
Carter Burwell - "Bella's Lullaby"

SANTA MONICA, California â�” When Stephenie Meyer originally conceived of her "Twilight" universe, it's highly unlikely that she was inspired by spider monkeys, Channing Tatum and the cowboys from "Brokeback Mountain." But for this week's "Twilight" Tuesd

SANTA MONICA, California â�” When Stephenie Meyer originally conceived of her "Twilight" universe, it's highly unlikely that she was inspired by spider monkeys, Channing Tatum and the cowboys from "Brokeback Mountain." But for this week's "Twilight" Tuesday, screenwriter Melissa Rosenberg stopped by the MTV News offices to remind us of the personality quirks that have crept into the Cullens â�” and the collaborative process necessary for turning a best-selling novel into a hit Hollywood movie.

The veteran writer/producer behind hits both twisted ("Dexter") and teen-friendly ("The O.C.," "Step Up"), Rosenberg comes across in person as a smart, eager-to-please writer who is genuinely proud to have earned the Meyer seal of approval. In this exclusive interview about her screenplay for the film that finally hits theaters November 21 (as if you needed reminding), Rosenberg gave us a revealing peek at several new scenes and characters, the film's "forward-thinking" ending, and the surprising reasons why we'll soon be seeing an Edward who wishes he knew how to quit Bella. (Find out what Robert Pattinson and Kellan Lutz think about the new "Twilight" flashback scenes they just shot here. And check out the results of the TwilightMoms' "Clean House" contest in the MTV Movies blog.)

MTV: The "Twilight" fanbase is beloved for their enthusiasm. What kind of craziness have you witnessed since you took on the gig?

Melissa Rosenberg: I went to my niece's bat mitzvah recently out in Tucson [Arizona]. It was a very small ceremony and a very small group of people. She's 13, and she had a couple of her friends there ... and she mentioned to them, "Oh, this is my Aunt Melissa and she wrote 'Twilight.' " Suddenly I had these just fantastic girls [saying], "Oh my God!" They were just thrilled and asked for my autograph on a napkin!

MTV: What kind of questions did they have?

Rosenberg: Well, I don't think that they really understood what a screenwriter does, and I tried to explain it. They were like, "Didn't you just shoot the book?" And I said, "No, well, I had to make scenes up," but they didn't care. My name and "Twilight" were in the same sentence, so they had to have an autograph.

MTV: I look at your filmography, and obviously the two things that jump out are "Step Up" and the serial-killer drama "Dexter." Where does "Twilight" fit into these very diverse universes?

Rosenberg: "Twilight" is right in the middle of "Step Up" and "Dexter." It has the romance and the relationship of "Step Up" and the desire that's in "Step Up," but it also has the darkness and eeriness of "Dexter." ... "Dexter" really helped a lot for me â�” having been in a fairly dark place with "Dexter," it's easy to translate over. But the romance of "Twilight" is pure.

MTV: So Edward's not going to be chopping up bodies and keeping them in his fridge?

Rosenberg: [Laughs.] No, no. Edward's not a serial killer.

MTV: But Dexter does similarly deal with having a hunger â�” trying to suppress it at times but giving into it when he needs that power.

Rosenberg: Absolutely. Dexter has what he calls a "dark passenger." It's this urge, this need, this hunger for blood â�” and so does Edward. Edward just has a better hold on it. [Laughs.] Edward can rein it in more. What's also true is that both Dexter and Edward are constantly exploring issues of humanity and what it is to be human and envying humans. Dexter is very much like an alien set on the planet to learn about humanity, because he himself is disassociated and doesn't have the normal human experiences. He has made a life of studying humans so he can pass as a human. Well, so is Edward. Edward is trying to pass as a human, and it's been so long [since] he's been a human that he's constantly marveling at it.

MTV: I would think the greatest challenge for you was to portray a romance that "Twilight" fans consider to be so powerful and epic. Where did you go for inspiration?

Rosenberg: Well, "Romeo and Juliet" is an obvious comparison. I discovered [after reading "Twilight" that Meyer] uses "Romeo and Juliet" quite heavily in "New Moon." And this is going to sound a little crazy, but "Brokeback Mountain" was a great model of forbidden love.

MTV: So when it came time to portray the Edward/Bella romance, you thought about Heath and Jake?

Rosenberg: Well, "Brokeback Mountain" for two reasons: One, the short story [that was the basis] for "Brokeback Mountain" is beautiful, pure, very small â�” 20 or 40 pages â�” and the writers of "Brokeback Mountain" [the movie] would take one sentence, one four-word sentence, and it would become a story line. It would become a character. It was such a beautiful adaptation. I learned a great deal from reading that book and then watching the movie. It taught me a lot about adapting. But I had the opposite challenge with "Twilight" than they had with "Brokeback" â�” with "Brokeback," they had to let it grow and breathe. I had to condense a great deal. For instance, with the James character and the evil vampires â�” taking what is really only the last 25 percent of the [novel] and bringing it forward. There were a couple moments like that where you go, "OK, wait a minute, [Meyer] is just suggesting this. But let's let it play."

MTV: But as far as the Edward/Bella romance is concerned, you see similarities to the "Brokeback" relationship?

Rosenberg: Yeah, it was just so poignant, and the forbidden-love element, that you have this deep yearning and passion and yet you have to keep it secret â�” to want to be with each other and to have to stay away on some level. So "Brokeback," for me, was a great model for how to structure the romance in the story.

MTV: Can you give us an example of something that wasn't in the book but you wanted to work into the script?

Rosenberg: Initially, I thought the world of the book is very much in the Pacific Northwest. It's a very dense, misty, wet area, very eerie and really evocative of a mood. So I thought, "Well, let's just start the movie right there. Let's begin in this world." But then [I met with] Stephenie, and she started talking about Scottsdale [Arizona], which is where she lives and where she grew up. You're surrounded by these very perfect, very beautiful, very wealthy people, and when you're just a normal girl, you feel inadequate in comparison. That's such a cornerstone in her character. ... When Stephenie talked about being in Scottsdale and being raised there, and her feelings of never quite measuring up to these gorgeous, blond, usually plastic-surgery people, she really captured for me the essence of Bella. So we decided that we absolutely had to start with Bella in Scottsdale. This is where we first meet her and see her next to the gorgeous neighbor. And to see her tripping off a stair right away established that character of Bella as that sort of awkward, very normal teenage girl, and [the audience will] fall in love with her for that.

MTV: Wow, very different from the novel. Now, having read "Twilight," we'd also expect Kristen Stewart to spend quite a bit of time in the voice-over booth. Did your script give Bella more or less narrative duties?

Rosenberg: Actually, there's not a lot of voice-over. ... As we went forward, we realized we needed less, and we started pulling out voice-over. The challenge of adapting the book is indeed that it is very internal. ... It was all about getting those conversations that are in her head, getting them out or seeing them. For instance, Bella's feeling awkward about dance â�” there's a lot of conversation about that, a lot of her talking about how awkward she feels. But to be able to see that in a scene in which Edward asks her to dance and she refuses, I [needed] to actually get that out there and say it.

MTV: The Cullens are described in the novels as being godlike. Is that hard to write?

Rosenberg: Well, we wanted to [depict] Edward's agility and strength, so we created scenes in which he grabs Bella and jumps out a window or he catches an apple that rolls off the table and hands it back to her. [I was] trying to find ways in which to show the different Cullens' abilities and strengths.

MTV: Do we learn more about the evil vampires in the film?

Rosenberg: The evil vampires: James, Victoria and Laurent. They show up in the last quarter of the book, but they've been around. Where were they before they got there? So Stephenie handed me these great villains, and I just took them and peppered them in. ... We learn about James and Victoria's relationship a little bit more, because they are soul mates, which becomes important later on. The objective was to fill them out. They're hungry. Their motivation is they're hungry and they like blood, and they like Bella's blood in particular. It smells very good. James' motivation, of course, is he loves the challenge and is presented with the perfect challenge. That's something Stephenie created, and I absolutely ran with it.

MTV: How do you get into the heads of the various characters?

Rosenberg: The fun of writing is that, in my mind, I get to play Charlie, I get to play Renee, I get to play Bella and Eric and all of them â�” I get to be that 17-year-old kid like Eric, who is trying to be that mover and shaker of the group. Eric is a compilation of a couple of different human characters. We had to cut down on some of the characters, and we didn't want to cut down on any of the Cullens, so we did have to combine a couple of the human characters. We kind of reinvented him a little bit and made him this sort of very quippy, funny character.

MTV: Which characters does he combine?

Rosenberg: I can't really say. The script and the book have become one to me. I can't remember where the book begins and where the script ends.

MTV: But Eric is a school friend with Bella?

Rosenberg: Yeah, there is actually a character in the book whose name is Eric. Jessica is a combination of Jessica and Lauren. Angela is still Angela, and Mike Newton is still Mike Newton, and Eric combines a couple of the human kids. ... Eric, he was a very smart, very funny guy, and we made him the head of the school newspaper and Angela the photographer. There's a lot of conversations you can have because of that. You can get how shy and awkward Bella is and how uncomfortable she is when Eric and Angela want to interview her for the newspaper.

MTV: Are there any lines of dialogue that make you particularly proud?

Rosenberg: Well, I can tell you this: "Spider monkey," I believe, comes from Rob Pattinson. I didn't actually write "spider monkey."

MTV: Really? Because the fans already love that line in the clips we've seen when Edward tells Bella, "You better hold on tight, spider monkey!"

Rosenberg: That was an improv.

MTV: So is that one of the things where a screenwriter sees the movie and says, "Sweet improv!" Or do you go, "He ruined my script! 'Spider monkey' is not accurate!"

Rosenberg: [Laughs.] Well, what I should say is, "I came up with spider monkey on my own. I wrote that."

MTV: Someday that could be the new "This is the beginning of a beautiful friendship" â�” or something like that.

Rosenberg: Exactly.

MTV: Does the "Twilight" movie end cleanly, or does it hint that there's more to come?

Rosenberg: There's a forward-thinking moment in the end. I shouldn't tell you what it is, though.

MTV: Well, we don't want to ruin the ending, we just want to know if there's something juicy in there.

Rosenberg: There's something that suggests there's more to come.

SANTA MONICA, California â�” When Stephenie Meyer originally conceived of her "Twilight" universe, it's highly unlikely that she was inspired by spider monkeys, Channing Tatum and the cowboys from "Brokeback Mountain." But for this week's "Twilight" Tuesd

MTV: The "Twilight" fanbase is beloved for their enthusiasm. What kind of craziness have you witnessed since you took on the gig?

MTV: What kind of questions did they have?

MTV: I look at your filmography, and obviously the two things that jump out are "Step Up" and the serial-killer drama "Dexter." Where does "Twilight" fit into these very diverse universes?

MTV: So Edward's not going to be chopping up bodies and keeping them in his fridge?

Rosenberg: [Laughs.] No, no. Edward's not a serial killer.

MTV: But Dexter does similarly deal with having a hunger â�” trying to suppress it at times but giving into it when he needs that power.

MTV: I would think the greatest challenge for you was to portray a romance that "Twilight" fans consider to be so powerful and epic. Where did you go for inspiration?

MTV: So when it came time to portray the Edward/Bella romance, you thought about Heath and Jake?

MTV: But as far as the Edward/Bella romance is concerned, you see similarities to the "Brokeback" relationship?

MTV: Can you give us an example of something that wasn't in the book but you wanted to work into the script?

MTV: The Cullens are described in the novels as being godlike. Is that hard to write?

MTV: Do we learn more about the evil vampires in the film?

MTV: How do you get into the heads of the various characters?

MTV: Which characters does he combine?

Rosenberg: I can't really say. The script and the book have become one to me. I can't remember where the book begins and where the script ends.

MTV: But Eric is a school friend with Bella?

MTV: Are there any lines of dialogue that make you particularly proud?

Rosenberg: Well, I can tell you this: "Spider monkey," I believe, comes from Rob Pattinson. I didn't actually write "spider monkey."

MTV: Really? Because the fans already love that line in the clips we've seen when Edward tells Bella, "You better hold on tight, spider monkey!"

Rosenberg: That was an improv.

MTV: So is that one of the things where a screenwriter sees the movie and says, "Sweet improv!" Or do you go, "He ruined my script! 'Spider monkey' is not accurate!"

Rosenberg: [Laughs.] Well, what I should say is, "I came up with spider monkey on my own. I wrote that."

MTV: Someday that could be the new "This is the beginning of a beautiful friendship" â�” or something like that.

Rosenberg: Exactly.

MTV: Does the "Twilight" movie end cleanly, or does it hint that there's more to come?

Rosenberg: There's a forward-thinking moment in the end. I shouldn't tell you what it is, though.

MTV: Well, we don't want to ruin the ending, we just want to know if there's something juicy in there.

Rosenberg: There's something that suggests there's more to come.

'Twilightâ�™ Tuesday: Peter Facinelli Talks Vampire Baseball

Three of my favorite things in this entire world are movies, baseball (Go Red Sox!) and the â�œTwilightâ� universe. So needless to say, Iâ�™m really frigginâ�™ excited about the one scene in Novemberâ�™s movie that will combine all three.

This weekâ�™s â�œTwilightâ� Tuesday focuses on the very cool Peter Facinelli, who plays Dr. Carlisle Cullen. While speaking with him, I got super excited when he revealed an ad lib he put into the baseball scene, revealing Carlisleâ�™s history of hanging out with Babe Ruth â�” and, much like myself, he cited the superpowered sequence as the moment heâ�™s most eager to see on the big screen.

â�œPersonally, Iâ�™m hoping the vampire baseball scene will be really fun to watch,â� the actor insisted, saying that all those fastballs and leaping catches should jump off the page and onto the big screen. â�œI mean, you can only do so much with your imagination, when youâ�™re thinking about vampire baseball [and reading 'Twilight']. But actually seeing that and hearing the cracking of the bat? The super-vampire speed? That should be fun to watch.â�

Facinelli admitted that the â�œTwilightâ� movie team faced some obstacles condensing Stephenie Meyerâ�™s big fat novel into a 120-page screenplay. â�œOver 500 pages are in the book, so you canâ�™t fit every single detail in,â� he explained. â�œAnd some details will be different. Stephenie Meyer is very detail-oriented, to the point where she describes clothes in the scene! So, sometimes itâ�™s not going to be as detailed or as specific as the book. There will be subtle differences, but the essence is there.â�

And in moments like the beloved baseball scene, Facinelli promised that the â�œTwilightâ� movie will once again take pride in showing vampires in a setting that breaks the Hollywood mold. â�œI was pleasantly pleased that they stayed away from the stereotypes,â� he said of the series. â�œThe fact that weâ�™re not even allowed to show fangs in the movie is huge, because itâ�™s not [expected]. As much as it is a vampire movie, itâ�™s really a love story too.â�

OK, Twilighters, hereâ�™s your TT question of the week: If you could watch any scene right now from the upcoming movie, which one would it be?

â�˜Twilightâ�™ Star Kellan Lutz Says Stephenie Meyer Should Take Her Time With â�˜Midnight Sunâ�™

Emmett doesnâ�™t want to hear Edwardâ�™s point of view. At least not yet. Kellan Lutz, the actor who plays Edwardâ�™s brother in â�œTwilight,â� thinks that Stephenie Meyer should wait a while before finishing â�œMidnight Sun,â� the companion novel that leaked to the Web last month. (See what Lutz and Robert Pattinson had to say about the â�œTwilightâ� reshoots here.)

â�œIf I was Stephenie Meyer,â� Lutz said, â�œand if I made that book â�” which is more heartfelt, like a diary in a way â�” it wouldnâ�™t be out for years. I feel like she created it just for herself, and itâ�™s sad that a part of her has been leaked, if that makes sense.â�

Lutz said that if Meyer decides to continue with â�œMidnight Sun,â� she should take extra time to make it like her other books: â�œso fluid, and so easy to read.â�

Long before the leak, Lutz did get some of Meyerâ�™s insight into the vampire POV. â�œUs actors doing â�˜Twilight,â�™ we have our ins on all the extra stuff she hasnâ�™t put out there yet,â� Lutz said. â�œAnd itâ�™s really cool seeing another side of it. Like, Bella doesnâ�™t understand the point of view of a vampire. If you canâ�™t die, you have the knowledge that you wonâ�™t have an end. You donâ�™t need to accomplish that much. Because youâ�™re going to live forever, you can do whatever. Thereâ�™s no risk, and thatâ�™s not really living. And itâ�™s cool to see Edwardâ�™s point of view.â�

In time, however, after the â�œTwilightâ� buzz has quieted down a bit, Lutz thinks it will be good to â�œmix it up and show that confusionâ� of Edwardâ�™s perpective. â�œNot so much of the storylines, but of the mentality: good versus evil,â� Lutz explained. â�œEdward doesnâ�™t think being a vampire is a good thing, and Bella doesnâ�™t see that. She just wants to be turned. And itâ�™s important to see another point of view, plus itâ�™s a cool extreme.â�

Do you think Stephenie Meyer should finish â�œMidnight Sun,â� or should the â�œTwilightâ� saga end with â�œBreaking Dawnâ�? Tell us!

Soar from the 'Rooftops' with Jeff Hardy and Lostprophets

taken off wwe.com

In the latest Superstar to Superstar, Jeff Hardy talks to Lostprophetsâ�™ vocalist Ian Watkins and guitarist Mike Lewis. The bandâ�™s single, â�œRooftops,â� was recently used in a video montage on SmackDown, highlighting Hardyâ�™s high-flying moves. The Welsh rockersâ�™ song is off their 2006 album, Liberation Transmission, available on Columbia Records.

Jeff Hardy: Tell me about the song, â�œRooftops.â�

Ian Watkins: We wrote it years and years ago when we were on tour and we just never used it. It always had a good melody and a good vibe, but we never ended up using it for anything. On the last record, we worked with Bob Rock, who worked with Metallica and MÃ¶tley CrÃ¼e. We were messing around and said, â�˜Hey, weâ�™ve got this song, what do you think?â�™ When we played it, he just loved it. Working with him, we just kind of messed around with it and it came out of an acoustic thing. When we play it live, itâ�™s insane. During the chorus, everyone always screams their hearts out. Itâ�™s really good live.

Hardy: Cool. Are you guys familiar with wrestling? Did you watch as kids?

Watkins: Yeah, but Mike did more than me. I didnâ�™t have cable â�“ I was too poor.

Mike Lewis: I used to watch all the old WrestleManias with Ultimate Warrior, Hulk Hogan and Bret Hart. He was always my favorite.

Hardy: Yeah, he was one of mine, too. So why is â�œRooftopsâ� a good fit for me and WWE?

Watkins: Itâ�™s one of those anthem songs. From what Iâ�™ve seen, when we play it live, when we get everyone singing, itâ�™s totally a crowd participation song. The chorus is really simple, so anyone can sing it. The song is kind of about releasing frustrations and all that rage inside â�“ just getting it out. Definitely with you, youâ�™re always jumping off of stuff. â�¦ We were watching the montage and we were like s*** â�¦ it looks amazing!

Hardy: Music plays a big role in WWE programming. What does your partnership with WWE mean to the band and why do you like working with WWE?

Lewis: Itâ�™s cool because the kids who are into WWE are obviously very passionate about it. For them to get into our music â�¦ itâ�™s kind of a cool thing, too.

Watkins: A lot of people, especially in the United States, maybe wouldnâ�™t really know about us because weâ�™re from the United Kingdom, weâ�™re big in Europe and Japan, but not so much in the United States. So itâ�™s cool to have our song in WWE. Like Mike said, all of the fans are so passionate, and weâ�™re just as passionate about our music. â�¦ Our songs are very pumped up. When youâ�™re passionate about something, itâ�™s a really good fit.

Hardy: I hear the band is playing a bunch of music festivals in Europe and Japan this summer, tell me about your upcoming shows.

Watkins: Actually we just headlined our first festival for 80,000 people, which is insane. It was the Download Festival at Donington Park, which held Monsters of Rock. It was three days. KISS did Friday, Offspring did Saturday and we closed on the Sunday, which was insane. Itâ�™s one of those things, like when you were a kid, you could never imagine doing. Obviously you fantasize about it, you jump around in your bedroom. Also, we used to watch it on TV. Weâ�™ve watched Metallica headline it, weâ�™ve watched AC/DC headline it, and all those bands. Then for us to do it, it didnâ�™t even seem real until halfway through the set.

Hardy: Right. Like me, for Hogan and Warrior to take part in WrestleMania, and now for me to take part in WrestleMania, itâ�™s like, â�œWoah, this is real.â� Itâ�™s crazy how it happens.

Watkins: Itâ�™s so bizarre. When youâ�™re playing with bands who were your heroes growing up, and you see them backstage and theyâ�™re saying hi to you, talking to you on the same level, and youâ�™re like, oh my god!

Hardy: Right on. I feel you, totally. Whatâ�™s next for Lostprophets? When is your next album coming out and how different will the record be from Liberation Transmission?

Watkins: Weâ�™re finishing up the record now with Rob again. I think itâ�™ll be out in late January or early February of next year. Itâ�™ll be much harder. When we first started we were a lot harder. Weâ�™re still melodic, but with a metal edge. On the last record, we purposely put a lot of pop mentality into it. Whereas on this one, we kept the tunefulness and the anthemic hooks, but we kind of put the metal back, as well.

Hardy: Cool. Do you have any messages for the WWE fans who heard â�œRooftopsâ� on SmackDown and became fans of Lostprophets?

Watkins: Thanks for taking the time to listen to us and go out and research it and check us out on the Internet. We donâ�™t really care if people download our music for free. All that matters to us is that people are listening to it and kind of support it some way. If you canâ�™t afford to buy an album, then yeah, download it for free. Or come to our shows and buy a T-shirt. Spread the word to your friends. As long as people support us in some way, thatâ�™s what matters to us. Fans of yours can watch your stuff and listen to the song and say, â�œAll right, I like that,â� and then go check it out.

Hate Of Love Pt 30

*ECHOâ�™S POV*

I walk through the streets of Crystal Lake. Iâ�™m only here for one reason, to find my fiancÃ© Eric Griffin! Weâ�™ve been engaged for over a year but I haven't heard form him for the past month. Iâ�™ve been so worried until I found out there was another woman.

If I see her I will kill her with my bare hands! I see someone ahead I defiantly wasn't expecting. "Dani?" I ask. "Echo? What are you doing here?" he asks. "Well you cant tell me about Ericâ�™s little whore and not expect me to do nothing about it" I answer.

I know Dani is one of the strongest demonâ�™s ever so I asked him for help with Eric. He told me he was cheating but wouldn't tell me where he was. Thatâ�™s why I love being a werewolf. I can find anyone no matter where they are.

"You seem shocked to see me" I say. "Only is a good way Echo" he says. Heâ�™s lying! I then see him. Eric is walking with Wednesday. "Cant be!" he says when he seeâ�™s me. "Gotta go" Dani says before shimmering away. "Your alive!" Eric yells before hugging me.

"What are you talking about?" I ask angrily. "I was told a month ago that you had died in an accident" he says, Then it clicks! "Iâ�™m going to kill him!" I yell out. Dani played us both and he will pay in the worse way.

Animal In Me.

I run through the woods at great speed, my giant paws hitting the mud, rain splattering my black coat of fur. I hit the denser part of the woods, narrowly missing the trees. I hear another set of paws behind me and I increase my speed. He isn't going to catch me that easy. I smell water ahead so I take a slight right turn. This will confuse him.

I run along the lake but I can't sense him anymore. I stop and look around. I cast my gaze across the lake and see him standing there. He can't smell me, the water is confusing him. He is beautiful! Completely black except for his paws which are white and silver tips on his ears. He has silver eyes.

I shift into my human form and I walk up the lake a bit. I find a hidden spot sheltered by overhanging trees and large rocks. I dip my toes in and find the water has a slight heat to it. I get in and let the water creep in around my naked body. I dip my head under the water. I just hold my breath and wait.

I'm then pulled to the surface by a pair of strong hands. "Elektra?" I hear his voice ask. "Hey Nikki" I say with a smile. He is stunning but I prefer him in his wolf form. He crashes his lips onto mine and he kisses my passionately, our tongues fighting for control. He runs his hand down my body, tickling me slightly.

He pushes me against a rock before kissing me on the neck. I wrap my legs around his waist. He slams himself into my wet opening causing me to scream out. I claw at his back as he starts slow. I kiss and suck him on the neck.

He runs a claw across my shoulder drawing blood. He runs tongue along the cut, tasting my blood. He kisses and bites on the cut sending shivers of pain and delight through my body. I clutch at the rock behind me as he quickens.

We move as one as I can feel myself getting close. I cum loudly and Nikki cums a heartbeat later. I kiss him on the lips. "Same time tomorrow?" he asks. I nod. He gets out of the water before shifting. He runs off into the woods.

Forbidden love is dangerous to us werewolves but right now I don't care if Nikki Sixx is from a different tribe.